Four university friends, four devastating secrets.
I’m really sorry for what I’m about to do…
It’s fifteen years since graduation, and Connie, Jonas, JJ and Layla have managed to remain close despite the odds. They’ve supported each other, but are some things too big for friendship?
Connie is desperate to maintain the veneer of perfect family life.
Jonas is feeling the pressure at work.
Layla’s career is unravelling thanks to her ill mother
JJ’s past is catching up with him.
When they stumble and fall, who will be there to catch them?
A truly powerful and unforgettable story of love, friendship, and real life, If I Fall is perfect for readers of Alice Peterson, Amanda Prowse and Lianne Moriarty.
Book Rating: 8/10
Sobering, compelling, and incredibly intense!
If I Fall is a complex, character-driven novel that delves into how much friendships can define us and highlights how secrets, lies, and unspoken words can emotionally and psychologically impact them.
The writing is somber and raw. The characters are multifaceted, desperate, and broken. And the plot, using multiple perspectives, is an engaging, edgy tale about life, loss, love, heartbreak, deception, jealousy, abuse, friendship, and family.
If I Fall is truly a poignant novel that reminds us that life is unpredictable and full of ups and downs and true friends are those who are there not only in the good times, but more importantly during the hard ones.
About the Author:
Ella Harper learned foreign languages, and imagined she might eventually get a glamorous job speaking French. After climbing her way up the banking ladder, Ella started idly mapping out the beginnings of a novel on an old laptop. When she realised her characters were more real to her than dividends and corporate actions ever could be, she left her job to become a writer.
And now Ella Harper with:
The Importance of Subplots
So. We all know what the main plot in the novel is. It’s the story at the centre of the novel…the important, key issue or theme. That’s the all singing, all dancing part of the story – the part we most want the reader to connect with and relate to. But by and large, there will also be a subplot – or subplots – running alongside.
The subplot is the secondary strand that supports the main story. It will usually (but doesn’t have to) connect to the main plot and this could be in terms of the theme of the novel, or perhaps the timeline. The subplot could involve the main characters or supporting characters in the book and it will take up less action. It might, however, provide light relief for the tenseness of the main plot strand, adding humour perhaps. It might create a realistic feel to the main plot by showing contrast or providing colour and richness. It can also be used to develop a lesser character in the novel who may become significant later on and who could be woven into the main plot. The subplot should definitely reinforce the main plot – and much of the time, this is a device used to reveal relevant information to the reader that might not have been revealed elsewhere. Equally, a subplot might be used to crank up the tension in the main plot, bringing the protagonist to a different point.
Another useful aspect of the subplot is to bring in another viewpoint. Sometimes an author can use an entirely new voice or ‘person’ for the subplot…writing in the third person or the first person to differentiate and bring another layer into the novel. But the main thing is the ensure that the main plot is always at centre stage and only use your subplot when you want to change the pace or utilise it in the ways mentioned above.
I used a few subplots in my first Ella Harper novel Pieces of You. The main characters were essentially Luke and Lucy Harte, but with Luke in a coma for much of the novel, other characters had to come to the fore. So the feelings of Luke’s sister Nell and his mother Patricia then came into play as subplots, which supported the main plot.
In If I Fall, each character was part of the main storyline, but also had their own subplot, which made it complex, but really fun to write. The characters interacted with one another, weaving in and out of each other’s lives and stories until they merged into one and the subplots all kind of became the main plot. But the characters’ subplots served to provide background and an insight into their lives that then became relevant to the main plot and hook of the novel which is…which one of them wants to commit suicide? And why? As I say, tricky to write, but my favourite so far, because of all the complex subplots!
Thank you to Ella Harper and Canelo for providing me with a copy in exchange for an honest review.
This novel is available now.
Pick up a copy from your favourite retailer or from one of the following links.
For more information on Ella Harper, visit her website at: ellaharper.co.uk
or follow her on Twitter at: @Ella__Harper